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Women, art, and society / Whitney Chadwick.

By: Language: English Series: Thames & Hudson world of artPublisher: London : Thames & Hudson, 2012Edition: 5. edDescription: 552 p. ill. (chiefly col.), ports. (some col.) 21 cmISBN:
  • 9780500204054
Subject(s): DDC classification:
  • 704.042 23/swe
Other classification:
  • Ib
Summary: This title features a new chapter that charts the evolution of feminist art history and pedagogy since the 1970s, revealing how artists have developed and subverted the strategies of feminism.
Holdings
Item type Current library Shelving location Call number Status Date due Barcode Item holds
Book Biblioteket HKR Biblioteket 700 Chadwick Available 11156000187876
Total holds: 0

Enhanced descriptions from Syndetics:

Fifth Edition

Whitney Chadwick's acclaimed study challenges the assumption that great women artists are exceptions to the rule who 'transcended' their sex to produce major works of art. While acknowledging the many women whose contributions to visual culture since the Middle Ages have often been neglected, Chadwick's survey amounts to much more than an alternative canon of women artists: it re-examines the works themselves and the ways in which they have been perceived as marginal, often in direct reference to gender. In her discussion of feminism and its influence on such a reappraisal, the author also addresses the closely related issues of ethnicity, class, and sexuality.

This revised edition features a completely new chapter that charts the evolution of feminist art history and pedagogy since the 1970s, revealing how artists have developed and subverted the strategies of feminism.

It is brought up to date with a discussion of some of the most significant international women artists to have emerged in recent years, including Wangechi Mutu, Pae White, Yael Bartana, Jenny Saville, and Teresa Margolles.

Previous ed.: 2007.

Includes bibliographical references and index.

This title features a new chapter that charts the evolution of feminist art history and pedagogy since the 1970s, revealing how artists have developed and subverted the strategies of feminism.